The Last Laugh: Problems with new Teacher Evaluations

When all the talk shifted to evaluating teachers based on state test scores, I immediately thought about all the teachers that don't have a state test attached to their course. By the way, that number is usually 60% or higher. So now everyone is scrambling on how to do it.

Because there are no student test scores with which to evaluate over half of Tennessee’s teachers — kindergarten to third-grade teachers; art, music and vocational teachers — the state has created a bewildering set of assessment rules. Math specialists can be evaluated by their school’s English scores, music teachers by the school’s writing scores.

This is just the beginning. I would love to see a Math teacher be fired for having low English state test scores. Someone explain this to me...and once again, if anyone would have asked a teacher, they would have told you that this wouldn't work. Not because they don't want it, but because it just won't work.

This Calling: Matthew 6:34

Matthew 6:34 () 34 Therefore do not be anxious about tomorrow, for tomorrow will be anxious for itself. Sufficient for the day is its own trouble.

#Bible http://j.mp/fX6Ctl&name=Matthew+6:34+

Right Now: No-Shave November

So I forgot to shave this past week, really busy, and my TA asked me if I was doing the "No-Shave November". I had never heard of it before and did a little research and apparently it was founded to help raise awareness of prostate cancer. Now this disease is pretty close to home because my grandfather had it and so has my dad. Will I get it? Probably. So if I can do anything to help raise awareness I will. The worst part for me is that I shave my head every other day, so this is going to be tough for me.

Tirades of Truth: Lulu

Wow...just wow. That is probably the best way I can describe the new Metallica/Lou Reed collaboration. I can see why so many people turn it off after the first song. Seriously. Lou Reed doesn't sing, he talks with a little bit of tone. I guess the best way to describe his vocals would be to say it is reminiscent of Johnny Cash's vocals for Hurt.


Now clearly, James Hetfield's vocals would have made this project a lot better. It would have been similar to Load/Re-Load, but a little bit more metal and less rock. He makes a couple of appearances as a background vocalist. It is a welcomed changed and you can almost hear how great this album could have been if he would have just done them all. I am sure that is what people thought when Dave Mustaine did his MD.45 project and then put Lee Ving on vocals. I guess the one positive thing for those people is that Dave eventually released the album with him doing all the vocals. But I don't see Metallica ever doing that. Heck, while every band has re-released albums with "bonus tracks", Metallica never has, ever. So while it would probably sell more and get a better reaction, I don't see it happening. By the way, someone re-edited The View and took out anything relating to Lou Reed. This is what I mean...it's not horrible. It is probably better than the Loads now that I listen to it.


I am a huge Metallica fan. Everything they touch is great. As I listen to this now (it is streaming HERE), there are times that I find myself laughing out loud because of the vocals or lack there of or I am laughing at the horrible lyrics (If I waggle my ass like a dark prostitute, would you think less of me) and there is more where that came from. I understand this is a concept album, but wow this story is difficult to follow for me. I just keep getting distracted by those lyrics.


Now for the positives, yes they are there. The music is great. Solid all the way around. I would love to hear this as an instrumental album. Like I said earlier, it isn't Master of Puppets or Kill Em All, but more in line with the Loads. There are times where it is pretty thrashy, Mistress Dread, but overall it stays within what we know Metallica to sound like.

Overall, it was better than I thought it would be. I kept hearing snippets of the songs and vocals and thought it would be horrible. Well it isn't. Is it great? No, and during this year of great albums, it probably make my top 10 list. But it definitely deserves a spin. Skip around sample here and there. I was able to almost tune out Lou Reed's vocals and just enjoyed the music. Someone get around and make this an instrumental.

The Sun Always Shines on T.V.: Dan LeBatard is Highly Questionable

I don't get a lot of time to watch TV nowadays, kids, work, exercising...you get the point. But one show that has been apart of my daily viewing for about 10 years now has been Pardon the Interruption (PTI). It was basically the same format as The Sports Reporters, but with only two hosts and there was more humor involved.

Now the show is daily, but Mike & Tony take vacations and they need fill-in hosts. At first my favorite was Norm Chad, who gave more humor into the show than analysis. He started doing other things and hasn't been on for years. The next guy to really peak my interest was Dan LeBatard. He was funny like Norm, but you could also tell he knew what he was talking about. For the past few years he has been my favorite fill in host. This past summer I noticed he wasn't filling in very much and I was worried Dan was going the same way as Norm Chad. Well, his days on PTI might be over, but that's cause he got his own show Dan LeBatard is Highly Questionable (DLHQ).

I saw a commercial for it and set my DVR to record it right away. I saw the 60's kitchen set and was wondering what this would be like, but all of those questions were replaced when I saw his dad, thick accent and all, asking Dan sports questions. The interaction between father & son is always good for some laughs, heck Petros has his dad on every week for a segment on his radio show Petros & Money. It works.

Dan and his father are no different. The interaction is genuine and at times hilarious. Dan was never the serious guy on PTI and it is interesting to watch him try to be both the funny guy and serious guy at once. And so far he is doing a good job of pulling it off. Sure some of the topics are repeated on PTI, but the way Dan handles them is totally different than Mike & Tony.

I must admit I skip the interview segment, but unless it is someone that I really want to hear talk, I usually skip it on PTI as well. The edits were distracting at first, but now I just go with it. Dan seems like a person that could say a lot of stuff and it might not be too funny, but when he nails a joke it's good. And maybe that's what they are doing here. Maybe they are editing it because of his dad? Who knows, all I know is that I am loving it. In fact, the other night as I was watching it my wife sat down and watched a bit and started laughing at the interaction between Dan & his dad.

This show is something new, maybe not as revolutionary as PTI was 10 years ago, but it is definitely a show that you can't find anywhere else. Hopefully in 10 years DLHQ will still be around like PTI is.

This Calling: Psalm 121:7-8

Psalm 121:7-8 () 7 The Lord will keep you from all evil;he will keep your life. 8 The Lord will keep your going out and your coming in from this time forth and forevermore. #Bible http://j.mp/gszQsu&name=Psalm+121:7-8+

Tirades of Truth: Iced Earth - Dystopia

So let me be up front of my fondness of Iced Earth. Before Shadows Fall, Trivium, Killswitch Engage, and all the other bands, there was Iced Earth. They were the first metal band I got into after the classic metal bands like Metallica and Megadeth. In fact, it was because of their tour opening for Megadeth that I heard of Iced Earth.

My first Iced Earth album was Something Wicked This Way Comes, which I picked up mainly because of the album artwork. I was blown away by both the music and vocals. The guitar riffs were totally amazing. I couldn't believe how heavy they were. It was like Iron Maiden on steroids, instead of Harris' galloping bass, we had a guitar doing the same thing...awesome. Then of course were the vocals. Matt Barlow's vocals were incredible. They could go heavy, but not anything as raw as John Bush or James Hetfield, but more of a powerful heavy. Of course, the crowning moment of the album was the Something Wicked Trilogy. I knew I found a great band.

I picked up most of their back catalog and was impressed by everything I heard. Jon Schaffer's guitar playing dominated every song and when you put Barlow's vocals on top of it, it was magical. Well as we all know, Barlow left the band after 9-11 to become a police officer. He was replaced by Tim Owens of Judas Priest fame. They released a couple of albums with Ripper and they just didn't feel like Iced Earth. The Glorious Burden was solid, but mainly because it was a concept album and it was totally different than anything they had done before. However, when they started to do the double album based on Something Wicked, I was worried. And with good reason. Ripper just wasn't Barlow. He was good, in fact Ten Thousand Strong is the best song off of Framing Armageddon and it's so good that I don't even think that Barlow could do it justice.

Long story somewhat shorter, exit Ripper enter Barlow (again). The second album of the Something Wicked story didn't suffer from the vocals, but from the music. Which in hindsight was present on the last 3 albums going back to The Glorious Burden. Schaffer went for this mid paced grandiose sound. And while it worked for The Glorious Burden, it didn't work for the other albums. Sure there were faster songs, but they were far and few.


So exit Barlow (again) and enter Stu Block. Now both vocalists were in my top 10 list years ago and after this album, Stu probably moved up a couple of notches. The first thing I noticed about Dystopia was how much Stu sounds like Barlow in his mid-range. Schaffer was quoted about finding Stu's mid-range vocals and I put it off as hype, but he definitely found something he didn't have with Into Eternity. Stu could do the death screams, clean, and Halford-esque screams, but this new mid-range is impressive...most impressive.


He doesn't sound like a Barlow clone, you can tell subtle differences between the two, yet he fits the music better than Ripper did. Speaking of Ripper, Stu also goes into his Halford/Ripper vocals during the album (Equilibrium, Boiling Point). When Ripper did it on his two albums it bothered me, here it works. The only thing I can tell is that he doesn't stay high forever, just for a moment, then it's back to the mid-range.

So what about the music? Well the album starts off with the title-track and the first thing I noticed was the return of the classic galloping guitar. Now there are some mid-paced songs on here, End of Innocence, Anguish of the Youth, Anthem for example, but they work. Kind of like the way Melancholy worked on Something Wicked, musically it's a great song.

The thrash songs are here as well. Boiling Point, Days of Rage bring back memories of early Iced Earth. Sure the songs are kind of recycled, but they still work. When I listen to Days of Rage, I get Disciples of the Lie in my head which then turns into Violate. Maybe it's the guitar work and pacing of the song, but they sort of all blend together, which is fine for me.


This album definitely threw me for a loop, almost the way Blaze Bayley's & Charred Walls of the Damned's last albums did. Out of no where a classic metal album comes out and it shows me that down inside I am still a classic metal guy. This thing is a definite "return to form" album for the band, easily the best thing since they put out Horror Show. Where would I rank this? It's not their best, but top 5? Probably.

What does this do to my Top 10 list? Throws a huge wrench into it. I still don't think it can top Trivium's album, but heck who would have said Blaze Bayley would have made number one on my Top 10 last year?

Right Now: seriously

Wow...sure has been awhile since I posted. So a quick update;

• School is whatever. I will say that I have had more parent conferences in the first 8 weeks than I did all of last year combined...seriously.
• Alot of freshmen...seriously.
• I thought I had the top 5 albums figured out and then Iced Earth came out with an album that is blowing my mind right now...seriously.
• That's it...I haven't posted in a long time because everytime I started too, I got depressed at the story I was going to post...seriously.

I will leave you with this video I saw weeks ago, for all of the Star Wars fans out there.

classic

Music Non Stop: new (sort of) Iced Earth

I am a pretty big fan of Iced Earth. They were one of the first bands I started listening too outside of Metallica & Megadeth. Matt Barlow's vocals were a huge part of that. He sounded like Paul Stanley (KISS) at times. He was the voice of Iced Earth, heck he's #3 on my top 10 vocalist list. After 9-11 he decided he should do something and quit the band to be a police officer. He was replaced by Tim Owens, who is a great vocalist, but it didn't fit Iced Earth. So Barlow came back to record another album, but realized he couldn't do it anymore. So enter Stu Block of Into Eternity fame. Now Stu has a pretty killer range. I listed him on my top 10 vocalists awhile back too.

I was interested on how he would fit into Iced Earth...well wonder no more. They re-recorded Dante's Inferno with Stu on vocals and I have to admit it's pretty good. He sounds like a better fit than Tim Owens ever did. His vocals fit the music naturally, sometimes he sounds just like Barlow. I will say that he adds a little bit of the "death grunts" in there, and it fits perfectly. He doesn't go cookie monster, but lower than Barlow did. Hopefully this is a sign of things to come. Now if we can just get some of those classic riffs from Night of the Stormrider and Burnt Offerings...


by the way this is a 17+ minute song...enjoy the ride.

Thoughts Without Words: Are you kidding me??? Again

I can't believe I am doing this again, but why do movie executives always want to change something that is fine the way it is? Seriously, we have seen it with Wonder Woman, Spider- Man, X-Men and many others and now it has come to the iconic Superman. Now I already discussed his new costumes in the relaunch of DC Comics, and I even pointed out the new suit. But there was one thing I didn't discuss that post. And that is the lack of the red undies. In the promo picture it was hard to tell if they were on or missing because of the lighting. Now it is official...they changed one of the most iconic and most recognizable costumes of all time to this

*sigh* when will they learn to leave things alone? The cape is gone too, but since there have been pictures of him with a cape I am assuming it's missing for a reason. And what's up with the stripes down the side? What was wrong with the original design? Now since I don't want to be too negative I will add two things; first the hair is better than it was in the promo pic and second Henry Cavill looks like Superman...his arms are huge! Is it enough to make me look away from the stripes and missing red trunks? We'll see, but I'm gonna say...no.